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    • Falke photographed by Sara Ghazi-Tabatabai
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    • WISHLIST by Sara Ghazi-Tabatabai
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    • VOLLMOND photographed by Sara Ghazi-Tabatabai
    • WORLD IN MY EYES photographed by Sara Ghazi-Tabatabai
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    • MAKE UP TUTORIAL NUDE GLOW by Silène Tonello
    • ABLOHve illustrated by Louise Folly
    • MAKE UP MY MIND by Silène Tonello
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    • SOLO photographed by Sara Ghazi-Tabatabai
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    • CRUSH photographed by Gabriele Renna
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    • LIFE, DEATH AND OTHER SIMILAR THINGS photographed by Amin Yousefi
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    • Utopians: A Limited Edition Coffee Table Book Capturing Visionaries in a Time of Change
    • SUSANNE BANTEL photographed by Holmsohn
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    • KATJA ROSIN photographed by Claudia Otto
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    • VALERIIA photographed by Arta Buneta
    • ROCK-A-NORE photographed by Andreas Bleckmann
    • MUSE JONNA by Waldemar Brzezinski
    • PRIVATE SETTING by Birgit Kleber
    • OH HAPPY DAY by Wilken Weddings
    • DEVOTED by Susanne Middelberg
    • THE ESSENCE captured by Ksenia Gintsak
    • DREAMS OF PAPER AND SILVER by Stephen Sheffield
    • LA FRITURE DU NORD photographed by Myra Mirfakhrai
    • MURIELLE photographed by Arta Buneta
    • DOGTOWN photographed by Stephen Lorber
    • JOHANNA photographed by Arta Buneta
    • MELANIE photographed by Camille Roussely
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    • FAITH photographed by Claudia Otto
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    • CLARA BENADOR photographed by Juliette Lambard
    • SARAH MARIE photographed by Sebastian Trägner
    • JURI SENFT photographed by Sofia Zwokbenkel
    • CLARA MÜGGE photographed by Sebastian Trägner
    • CATHLEEN BAUMANN photographed by Sofia Zwokbenkel 
  • ABOUT LETKISS
  • CONTACT
  • FASHION WEEKS
    • FASHION REPORT RAF SIMONS FALL / WINTER 2022
  • THE UNSTYLISH VIEW ON STYLE
    • ARINA photographed by Sara Ghazi-Tabatabai
    • MARCO ANTONIO photographed by Sara Ghazi-Tabatabai
    • NAOUEL photographed by Sara Ghazi-Tabatabai
    • FRANÇOIS photographed by Sara Ghazi-Tabatabai
    • Falke photographed by Sara Ghazi-Tabatabai
    • LEA photographed by Sara Ghazi-Tabatabai
    • BEHNAZ photographed by Sara Ghazi-Tabatabai
    • GYVER photographed by Myra
    • RACHELLA photographed by Sara Ghazi-Tabatabai
    • CLOSE-UP with Jovei Blink
    • DANA photographed by Sara Ghazi-Tabatabai
    • NAZAR photographed by Sara Ghazi-Tabatabai
  • STYLE
    • AINHOA by Sara Ghazi-Tabatabai
    • In the neighbourhood by Sara Ghazi-Tabatabai
    • The New Romantics: A Paris Fashion Tale by Iris Brosch
    • COME UNDONE BY SARA GHAZI-TABATABAI
    • THE NEW SOCIETY photographed by Sara Ghazi-Tabatabai
    • SOLSTICE photographed by Sara Ghazi-Tabatabai
    • “MAGIC BUS STOPS… “ photographed by Frederike Wetzels
    • FEELING DAISY photographed Viola Halfar
    • WISHLIST by Sara Ghazi-Tabatabai
    • WORKWEAR photographed by Noel Besuzzi 
    • TEXTURE photographed by Jean Michel Rousvoal
    • VOLLMOND photographed by Sara Ghazi-Tabatabai
    • WORLD IN MY EYES photographed by Sara Ghazi-Tabatabai
    • #metime photographed by Sara Ghazi-Tabatabai
    • MAKE UP TUTORIAL NUDE COUTURE by Silène Tonello
    • ANGEL photographed by Sara Ghazi-Tabatabai
    • MAKE UP TUTORIAL NUDE GLOW by Silène Tonello
    • ABLOHve illustrated by Louise Folly
    • MAKE UP MY MIND by Silène Tonello
    • BIRD OF PARADISE photographed by Juliette Lambard
    • SOLO photographed by Sara Ghazi-Tabatabai
    • SERENITY photographed by Juliette Lambard
    • VITAMIN C illustrated by Louise Folly
    • IMPOLITESSE photographed by Sara Ghazi-Tabatabai
    • STROLL IN PARIS photographed by Iris Brosch
    • ROCK ‘N’ ROLL CIRCUS photographed by Valérie Mathilde
    • BACK IN THE DAYS photographed by Sara Ghazi-Tabatabai
    • LADY BUTTERFLY photographed by Kei Takeda
    • BLOOM photographed by Sara Ghazi-Tabatabai
    • HELLO WORLD illustrated by Louise Folly
    • BLURRED photographed by Sara Ghazi-Tabatabai
    • THE VISITORS photographed by Sara Ghazi-Tabatabai
    • SHADES OF ORANGE photographed by Robertino Nikolic
  • PAS DE DEUX
    • ON THE VERGE OF A DREAM by Jorun Larson
    • زن زندگی آزادی WOMAN LIFE FREEDOM by Marjane Saidi
    • Ab-o-Atash photographed by Sara Ghazi-Tabatabai
    • FLUORITE FANTASIA ( Looking For My Father…) photographed by Yukari Chikura
    • WHEN THE SEA COMES photographed by Alice de Kruijs
    • WONDERLAND photographed by Sara Ghazi-Tabatabai
    • FADING BEAUTY photographed by Thymournia
    • PARADISE ISLAND photographed by Alice De Kruijs
    • THE ANATOMY OF MELANCHOLY photographed by Hannah Häseker
    • ZAIDO photographed by Yukari Chikura
    • LOVE WITH A VIEW directed by Monsieur Mitri
  • NATURE
    • UNDERWATER by Sabine Hartl
    • FLOWER POWER photographed by Sabine Hartl
    • PLAY OF LIGHT photographed by Alexander Binder
    • FALL OF THE RAVEN photographed by Thymournia
    • THE COLD RIDERS photographed by Alexis Pichot
    • DAZE photographed by PERRINE SOCQUET
    • TIDES IN WINTER photographed by Steffen Klessen
    • OZONE-FRIENDLY photographed by Sara Ghazi-Tabatabai
    • TRAUM photographed by Alexander Binder
    • BROKEN HOMELAND photographed by Thierry Mazurel
  • STRUCTURE
    • ETERNAL SPRING photographed by Sara Ghazi-Tabatabai
    • PLACES, SPACES photographed by Nina Papiorek
    • A MOVEABLE FEAST photographed by Sara Ghazi-Tabatabai
    • IS IT REAL? by Marcus Wallinder
    • PARIS26THFLOOR photographed by Petrov Ahner
    • CRUSH photographed by Gabriele Renna
    • WINDOWS OF NEW HOPE – THE REFUGEE CAMP IN HANOVER photographed by Kaisar Ahamed
    • LIFE, DEATH AND OTHER SIMILAR THINGS photographed by Amin Yousefi
  • DANCE STEPS
    • Utopians: A Limited Edition Coffee Table Book Capturing Visionaries in a Time of Change
    • SUSANNE BANTEL photographed by Holmsohn
    • FACE AND LIGHT photographed by India Lange
    • HOMELAND photographed by Natela Grigalashvili
    • KATJA ROSIN photographed by Claudia Otto
    • FACES OF EMOTION by Miccchelina
    • VALERIIA photographed by Arta Buneta
    • ROCK-A-NORE photographed by Andreas Bleckmann
    • MUSE JONNA by Waldemar Brzezinski
    • PRIVATE SETTING by Birgit Kleber
    • OH HAPPY DAY by Wilken Weddings
    • DEVOTED by Susanne Middelberg
    • THE ESSENCE captured by Ksenia Gintsak
    • DREAMS OF PAPER AND SILVER by Stephen Sheffield
    • LA FRITURE DU NORD photographed by Myra Mirfakhrai
    • MURIELLE photographed by Arta Buneta
    • DOGTOWN photographed by Stephen Lorber
    • JOHANNA photographed by Arta Buneta
    • MELANIE photographed by Camille Roussely
    • PORTRAITS photographed by Dascha Ha
    • SHERE HITE with Iris Brosch
    • FAITH photographed by Claudia Otto
    • BRANDENBURG photographed by Maria Jatzlau
    • LETKISS CRIBS FEAT. ELENA RENÉE PEREIRA
    • HALFWAY THERE photographed by Arta Buneta
    • LETKISS CRIBS FEAT. CARMEN KERWER
    • LETKISS CRIBS feat. Lumi Lausas
    • PEOPLE R photographed by Kai Heimberg
    • BRISA ROCHE photographed by Andrea Herzog
    • OH! DARLING with Uwe Buschmann
    • CLARA BENADOR photographed by Juliette Lambard
    • SARAH MARIE photographed by Sebastian Trägner
    • JURI SENFT photographed by Sofia Zwokbenkel
    • CLARA MÜGGE photographed by Sebastian Trägner
    • CATHLEEN BAUMANN photographed by Sofia Zwokbenkel 
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LETKISS CRIBS FEAT. ELENA RENÉE PEREIRA

  • January 9, 2022
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LETKISS CRIBS FEAT. ELENA RENÉE PEREIRA

Who is Elena Renée Pereira?
Substance in-between species, a hybrid flower of sorts, interlaced with a city landscape study of German, Indian and Dutch. In otherness inspired by cultivation in species, patterns and revealing anthropogenic narratives for imprint and form.

Ravi Shankar or George Harrison?
George Harrison is the man to refer to, but then everything is referential at times.

Bangalore! You are so wonderful!?
Most likely sunny, ‘Home in the City’ with change of weather in variations of sun. Shining light ‘lashes’ on an orange-brown clay surface fragmented by a plethora of trees, blossoms and coconut produce at every corner.

Five minutes in Taj Mahal are like a year in any other place?
Incomparably infinite, time polished in the materials tactility that transcends the pediments of hand carved floral imprints in marble.

"rooftopview"

What’s your favorite Satyajit Ray movie?
“Two” (TV Short) comes to mind, easily. In a cinematic frame of black and white interpreting the imagination of a child.

An ounce of practice is worth a thousand words? (Mahatma Gandhi)

In a sense of orientation a manifest for the muscle memory.

There’s always someone you want to punch?
Probably yes. I have made varied nature punching bags with flowers, patterned and embodied in surface techniques in various weights & lightness. That I practice and study in time. Variations in the materials create curiosity and more expression to the touch; imagine punching a pillow or a tree – these dexterities make it interesting to punch.

Creativity is intelligence having fun? (Albert Einstein)
In simulacrum of the ‘same’ to keep you ‘sane’ and in terms of focused at ‘play’.

When you are struggling with your creativity, what do you do?
Nothing, in solitude somewhere still, staring at the same corner for a prolonged time span until things move from light, extending and influencing different corners with prevailing patterns occurring.

Silk does for the body what diamonds do for the hand? (Oscar de la Renta)
Fascinated by the context, there is something beautiful in the variations of processing from the raw matter to its polished material sense.
Materials that have been processed a lot naturally. Like ‘sea glass’ the more polished the softer and tangible it becomes.

"hennalegs"

Do you have a favorite wallpaper pattern?
Beneath the patterns of all would be pre-digital – pre-industrial and made from the wooden blocks like we still see being made in India today. An inscription of time in flushed repeats of nature in the family of flowers in imagination next to its repeated or mirrored construction. Always with a ‘ flaw’ that defined the human imprint of making. Nowadays, it’s sad to see that machine production is designed to replicate the same ‘ flaw’ because it sells for higher prices, pretending to be handmade when it’s not.

Florals and botanicals clearly are a huge inspiration to you?
Embodied and embedded perceptions reflecting the power of mirroring images, in nature – culture debate. Revealing some sort of psychoanalytical space in representing the state of mind and our observed nature for bringing the outside in.

"dryingflowersdaily"

What is the most significant development in contemporary textiles in the past 5-10 years?
Lending properties from hybrid and indigenous knowledge with natural color appreciations and less color. Within empathy for nature of plant based materials. Zero waste cycles with ideas of natural extractions made available for the masses. Reviving leftovers in fiber and plastic and remolding them for fabrication.

Materials count?
Perceptibly everything is a compound of something, which breathes and inhales and thereby lives like we do. Accountable from the raw to the processed and in its final leftovers.

Everything is designed?
Every creature designs in a daily performance.

Palm tree or rubber tree?
The natural fan for me is many variations of palm tree swaying in continuous dance with the wind.

Do you have a favorite fragrance?
Home made essence mixtures of mostly rose, lavender, and maybe sandalwood in different concentrations at season.

Your most important piece of furniture?
A chair with double function for work and play. I simultaneously build up cushions and objects that facilitate more and other functions to a better chair. Reveals yet the most complex design challenge to one day make a perfect chair in a hammock extending.

Happiness is a small house with a big kitchen?
In selective ways it’s the space where real experimentation happens, and where the ancient campfire exists or insists on being lit daily.

Your goal in life? To go somewhere without your mobile phone?
Speculate about future material processes and make absurd material discoveries every day. Collaborate in slowness and pace from domestic daily rituals in indigenous knowledge and cultures that could plant imaginations. Usual aberration in a day is unconditionally undigital. Surreally into the future.

 _Uwe Buschmann (copy editing Silvia Strauch)

 

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