LetKiss
  • FASHION WEEKS
    • FASHION REPORT RAF SIMONS FALL / WINTER 2022
  • THE UNSTYLISH VIEW ON STYLE
    • ARINA photographed by Sara Ghazi-Tabatabai
    • MARCO ANTONIO photographed by Sara Ghazi-Tabatabai
    • NAOUEL photographed by Sara Ghazi-Tabatabai
    • FRANÇOIS photographed by Sara Ghazi-Tabatabai
    • Falke photographed by Sara Ghazi-Tabatabai
    • LEA photographed by Sara Ghazi-Tabatabai
    • BEHNAZ photographed by Sara Ghazi-Tabatabai
    • GYVER photographed by Myra
    • RACHELLA photographed by Sara Ghazi-Tabatabai
    • CLOSE-UP with Jovei Blink
    • DANA photographed by Sara Ghazi-Tabatabai
    • NAZAR photographed by Sara Ghazi-Tabatabai
  • STYLE
    • THE BROOKLYN MUSES BY IRIS BROSCH
    • AINHOA by Sara Ghazi-Tabatabai
    • In the neighbourhood by Sara Ghazi-Tabatabai
    • The New Romantics: A Paris Fashion Tale by Iris Brosch
    • COME UNDONE BY SARA GHAZI-TABATABAI
    • THE NEW SOCIETY photographed by Sara Ghazi-Tabatabai
    • SOLSTICE photographed by Sara Ghazi-Tabatabai
    • “MAGIC BUS STOPS… “ photographed by Frederike Wetzels
    • FEELING DAISY photographed Viola Halfar
    • WISHLIST by Sara Ghazi-Tabatabai
    • WORKWEAR photographed by Noel Besuzzi 
    • TEXTURE photographed by Jean Michel Rousvoal
    • VOLLMOND photographed by Sara Ghazi-Tabatabai
    • WORLD IN MY EYES photographed by Sara Ghazi-Tabatabai
    • #metime photographed by Sara Ghazi-Tabatabai
    • MAKE UP TUTORIAL NUDE COUTURE by Silène Tonello
    • ANGEL photographed by Sara Ghazi-Tabatabai
    • MAKE UP TUTORIAL NUDE GLOW by Silène Tonello
    • ABLOHve illustrated by Louise Folly
    • MAKE UP MY MIND by Silène Tonello
    • BIRD OF PARADISE photographed by Juliette Lambard
    • SOLO photographed by Sara Ghazi-Tabatabai
    • SERENITY photographed by Juliette Lambard
    • VITAMIN C illustrated by Louise Folly
    • IMPOLITESSE photographed by Sara Ghazi-Tabatabai
    • STROLL IN PARIS photographed by Iris Brosch
    • ROCK ‘N’ ROLL CIRCUS photographed by Valérie Mathilde
    • BACK IN THE DAYS photographed by Sara Ghazi-Tabatabai
    • LADY BUTTERFLY photographed by Kei Takeda
    • BLOOM photographed by Sara Ghazi-Tabatabai
    • HELLO WORLD illustrated by Louise Folly
    • BLURRED photographed by Sara Ghazi-Tabatabai
    • THE VISITORS photographed by Sara Ghazi-Tabatabai
    • SHADES OF ORANGE photographed by Robertino Nikolic
  • PAS DE DEUX
    • A Palermo Kinda Summer by Sara Ghazi-Tabatabai
    • ON THE VERGE OF A DREAM by Jorun Larson
    • زن زندگی آزادی WOMAN LIFE FREEDOM by Marjane Saidi
    • Ab-o-Atash photographed by Sara Ghazi-Tabatabai
    • FLUORITE FANTASIA ( Looking For My Father…) photographed by Yukari Chikura
    • WHEN THE SEA COMES photographed by Alice de Kruijs
    • WONDERLAND photographed by Sara Ghazi-Tabatabai
    • FADING BEAUTY photographed by Thymournia
    • PARADISE ISLAND photographed by Alice De Kruijs
    • THE ANATOMY OF MELANCHOLY photographed by Hannah Häseker
    • ZAIDO photographed by Yukari Chikura
    • LOVE WITH A VIEW directed by Monsieur Mitri
  • NATURE
    • UNDERWATER by Sabine Hartl
    • FLOWER POWER photographed by Sabine Hartl
    • PLAY OF LIGHT photographed by Alexander Binder
    • FALL OF THE RAVEN photographed by Thymournia
    • THE COLD RIDERS photographed by Alexis Pichot
    • DAZE photographed by PERRINE SOCQUET
    • TIDES IN WINTER photographed by Steffen Klessen
    • OZONE-FRIENDLY photographed by Sara Ghazi-Tabatabai
    • TRAUM photographed by Alexander Binder
    • BROKEN HOMELAND photographed by Thierry Mazurel
  • STRUCTURE
    • ETERNAL SPRING photographed by Sara Ghazi-Tabatabai
    • PLACES, SPACES photographed by Nina Papiorek
    • A MOVEABLE FEAST photographed by Sara Ghazi-Tabatabai
    • IS IT REAL? by Marcus Wallinder
    • PARIS26THFLOOR photographed by Petrov Ahner
    • CRUSH photographed by Gabriele Renna
    • WINDOWS OF NEW HOPE – THE REFUGEE CAMP IN HANOVER photographed by Kaisar Ahamed
    • LIFE, DEATH AND OTHER SIMILAR THINGS photographed by Amin Yousefi
  • DANCE STEPS
    • Utopians: A Limited Edition Coffee Table Book Capturing Visionaries in a Time of Change
    • SUSANNE BANTEL photographed by Holmsohn
    • FACE AND LIGHT photographed by India Lange
    • HOMELAND photographed by Natela Grigalashvili
    • KATJA ROSIN photographed by Claudia Otto
    • FACES OF EMOTION by Miccchelina
    • VALERIIA photographed by Arta Buneta
    • ROCK-A-NORE photographed by Andreas Bleckmann
    • MUSE JONNA by Waldemar Brzezinski
    • PRIVATE SETTING by Birgit Kleber
    • OH HAPPY DAY by Wilken Weddings
    • DEVOTED by Susanne Middelberg
    • THE ESSENCE captured by Ksenia Gintsak
    • DREAMS OF PAPER AND SILVER by Stephen Sheffield
    • LA FRITURE DU NORD photographed by Myra Mirfakhrai
    • MURIELLE photographed by Arta Buneta
    • DOGTOWN photographed by Stephen Lorber
    • JOHANNA photographed by Arta Buneta
    • MELANIE photographed by Camille Roussely
    • PORTRAITS photographed by Dascha Ha
    • SHERE HITE with Iris Brosch
    • FAITH photographed by Claudia Otto
    • BRANDENBURG photographed by Maria Jatzlau
    • LETKISS CRIBS FEAT. ELENA RENÉE PEREIRA
    • HALFWAY THERE photographed by Arta Buneta
    • LETKISS CRIBS FEAT. CARMEN KERWER
    • LETKISS CRIBS feat. Lumi Lausas
    • PEOPLE R photographed by Kai Heimberg
    • BRISA ROCHE photographed by Andrea Herzog
    • OH! DARLING with Uwe Buschmann
    • CLARA BENADOR photographed by Juliette Lambard
    • SARAH MARIE photographed by Sebastian Trägner
    • JURI SENFT photographed by Sofia Zwokbenkel
    • CLARA MÜGGE photographed by Sebastian Trägner
    • CATHLEEN BAUMANN photographed by Sofia Zwokbenkel 
  • ABOUT LETKISS
  • CONTACT
  • FASHION WEEKS
    • FASHION REPORT RAF SIMONS FALL / WINTER 2022
  • THE UNSTYLISH VIEW ON STYLE
    • ARINA photographed by Sara Ghazi-Tabatabai
    • MARCO ANTONIO photographed by Sara Ghazi-Tabatabai
    • NAOUEL photographed by Sara Ghazi-Tabatabai
    • FRANÇOIS photographed by Sara Ghazi-Tabatabai
    • Falke photographed by Sara Ghazi-Tabatabai
    • LEA photographed by Sara Ghazi-Tabatabai
    • BEHNAZ photographed by Sara Ghazi-Tabatabai
    • GYVER photographed by Myra
    • RACHELLA photographed by Sara Ghazi-Tabatabai
    • CLOSE-UP with Jovei Blink
    • DANA photographed by Sara Ghazi-Tabatabai
    • NAZAR photographed by Sara Ghazi-Tabatabai
  • STYLE
    • THE BROOKLYN MUSES BY IRIS BROSCH
    • AINHOA by Sara Ghazi-Tabatabai
    • In the neighbourhood by Sara Ghazi-Tabatabai
    • The New Romantics: A Paris Fashion Tale by Iris Brosch
    • COME UNDONE BY SARA GHAZI-TABATABAI
    • THE NEW SOCIETY photographed by Sara Ghazi-Tabatabai
    • SOLSTICE photographed by Sara Ghazi-Tabatabai
    • “MAGIC BUS STOPS… “ photographed by Frederike Wetzels
    • FEELING DAISY photographed Viola Halfar
    • WISHLIST by Sara Ghazi-Tabatabai
    • WORKWEAR photographed by Noel Besuzzi 
    • TEXTURE photographed by Jean Michel Rousvoal
    • VOLLMOND photographed by Sara Ghazi-Tabatabai
    • WORLD IN MY EYES photographed by Sara Ghazi-Tabatabai
    • #metime photographed by Sara Ghazi-Tabatabai
    • MAKE UP TUTORIAL NUDE COUTURE by Silène Tonello
    • ANGEL photographed by Sara Ghazi-Tabatabai
    • MAKE UP TUTORIAL NUDE GLOW by Silène Tonello
    • ABLOHve illustrated by Louise Folly
    • MAKE UP MY MIND by Silène Tonello
    • BIRD OF PARADISE photographed by Juliette Lambard
    • SOLO photographed by Sara Ghazi-Tabatabai
    • SERENITY photographed by Juliette Lambard
    • VITAMIN C illustrated by Louise Folly
    • IMPOLITESSE photographed by Sara Ghazi-Tabatabai
    • STROLL IN PARIS photographed by Iris Brosch
    • ROCK ‘N’ ROLL CIRCUS photographed by Valérie Mathilde
    • BACK IN THE DAYS photographed by Sara Ghazi-Tabatabai
    • LADY BUTTERFLY photographed by Kei Takeda
    • BLOOM photographed by Sara Ghazi-Tabatabai
    • HELLO WORLD illustrated by Louise Folly
    • BLURRED photographed by Sara Ghazi-Tabatabai
    • THE VISITORS photographed by Sara Ghazi-Tabatabai
    • SHADES OF ORANGE photographed by Robertino Nikolic
  • PAS DE DEUX
    • A Palermo Kinda Summer by Sara Ghazi-Tabatabai
    • ON THE VERGE OF A DREAM by Jorun Larson
    • زن زندگی آزادی WOMAN LIFE FREEDOM by Marjane Saidi
    • Ab-o-Atash photographed by Sara Ghazi-Tabatabai
    • FLUORITE FANTASIA ( Looking For My Father…) photographed by Yukari Chikura
    • WHEN THE SEA COMES photographed by Alice de Kruijs
    • WONDERLAND photographed by Sara Ghazi-Tabatabai
    • FADING BEAUTY photographed by Thymournia
    • PARADISE ISLAND photographed by Alice De Kruijs
    • THE ANATOMY OF MELANCHOLY photographed by Hannah Häseker
    • ZAIDO photographed by Yukari Chikura
    • LOVE WITH A VIEW directed by Monsieur Mitri
  • NATURE
    • UNDERWATER by Sabine Hartl
    • FLOWER POWER photographed by Sabine Hartl
    • PLAY OF LIGHT photographed by Alexander Binder
    • FALL OF THE RAVEN photographed by Thymournia
    • THE COLD RIDERS photographed by Alexis Pichot
    • DAZE photographed by PERRINE SOCQUET
    • TIDES IN WINTER photographed by Steffen Klessen
    • OZONE-FRIENDLY photographed by Sara Ghazi-Tabatabai
    • TRAUM photographed by Alexander Binder
    • BROKEN HOMELAND photographed by Thierry Mazurel
  • STRUCTURE
    • ETERNAL SPRING photographed by Sara Ghazi-Tabatabai
    • PLACES, SPACES photographed by Nina Papiorek
    • A MOVEABLE FEAST photographed by Sara Ghazi-Tabatabai
    • IS IT REAL? by Marcus Wallinder
    • PARIS26THFLOOR photographed by Petrov Ahner
    • CRUSH photographed by Gabriele Renna
    • WINDOWS OF NEW HOPE – THE REFUGEE CAMP IN HANOVER photographed by Kaisar Ahamed
    • LIFE, DEATH AND OTHER SIMILAR THINGS photographed by Amin Yousefi
  • DANCE STEPS
    • Utopians: A Limited Edition Coffee Table Book Capturing Visionaries in a Time of Change
    • SUSANNE BANTEL photographed by Holmsohn
    • FACE AND LIGHT photographed by India Lange
    • HOMELAND photographed by Natela Grigalashvili
    • KATJA ROSIN photographed by Claudia Otto
    • FACES OF EMOTION by Miccchelina
    • VALERIIA photographed by Arta Buneta
    • ROCK-A-NORE photographed by Andreas Bleckmann
    • MUSE JONNA by Waldemar Brzezinski
    • PRIVATE SETTING by Birgit Kleber
    • OH HAPPY DAY by Wilken Weddings
    • DEVOTED by Susanne Middelberg
    • THE ESSENCE captured by Ksenia Gintsak
    • DREAMS OF PAPER AND SILVER by Stephen Sheffield
    • LA FRITURE DU NORD photographed by Myra Mirfakhrai
    • MURIELLE photographed by Arta Buneta
    • DOGTOWN photographed by Stephen Lorber
    • JOHANNA photographed by Arta Buneta
    • MELANIE photographed by Camille Roussely
    • PORTRAITS photographed by Dascha Ha
    • SHERE HITE with Iris Brosch
    • FAITH photographed by Claudia Otto
    • BRANDENBURG photographed by Maria Jatzlau
    • LETKISS CRIBS FEAT. ELENA RENÉE PEREIRA
    • HALFWAY THERE photographed by Arta Buneta
    • LETKISS CRIBS FEAT. CARMEN KERWER
    • LETKISS CRIBS feat. Lumi Lausas
    • PEOPLE R photographed by Kai Heimberg
    • BRISA ROCHE photographed by Andrea Herzog
    • OH! DARLING with Uwe Buschmann
    • CLARA BENADOR photographed by Juliette Lambard
    • SARAH MARIE photographed by Sebastian Trägner
    • JURI SENFT photographed by Sofia Zwokbenkel
    • CLARA MÜGGE photographed by Sebastian Trägner
    • CATHLEEN BAUMANN photographed by Sofia Zwokbenkel 
  • ABOUT LETKISS
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"Feminist Shere Hite by Iris Brosch"
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SHERE HITE with Iris Brosch

  • March 12, 2022
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How did you meet Shere Hite?
I first met Shere Hite for a portrait in the German edition of Elle magazine in 1991. She and I met at the Hilton Hotel, Avenue de Suffren in Paris. By that time, Shere Hite had just left the United States to settle in Europe, where she saw herself like „A Daughter in Exile“ as shown in her autobiography published in 2000. Shere Hite’s studies had started a sexual revolution and gave women the right to pleasure. Her sexological work changed the social structure of our patriarchal system. But instead of being honored for her groundbreaking RESEARCH into sexuality Shere Hite faced intense attacks from the American press. When she received death threats and feared for her safety, she decided to leave the country. In 1995, Shere Hite gave up her American citizenship and became a German.

"Feminist Shere Hite by Iris Brosch"
©Iris Brosch

First impressions?
I saw a fragile woman who was scared and very beautiful. She seemed like a nervous deer running away from her hunters.

How would you describe her?
Shere Hite was a free-minded spirit and had the look of a movie star. When she walked into the room she filled it with light, she was an icon of femininity.

Did she swear?
Shere Hite rarely used swear words. I don’t remember one. But when she had the feeling that you were not listening or you were going into stereotypes of thinking, she
would find words to engage you and to shake you up. This wasn’t always comfortable but it sparked and deepened genuine discussion.

Any anecdotes?
The Frankfurter Allgemeine had asked me to make a portrait story of Shere Hite. We went to the famous Fontaine de l’Observatoire and the photograph, later, was
selected for the magazine cover. As this work was supposed to capture Shere Hite’s personality, we thought it would be a good idea to try another portrait of her together with Jeanne d’Arc. Equipped with a small ladder, we jumped into my car for a visit to Jeanne d’Arc’s sculpture in the 13th arrondissement. The ladder, however, turned out to be too short. But we were lucky because the owner of a nearby coffee shop brought us one with the perfect height. Shere made an attempt to climb up first and then she hesitated, as it was quite high up. So I proposed to try and quickly climbed the ladder leading up to the statue. I will never forget the amazing feeling of standing next to Jeanne d’Arc. The very moment I was up there, a police car came by but did not stop. At least not at first. A couple of minutes and a long U-turn later it came back. So I left the dizzy heights to explain that the owner of the coffee shop had no part in our endeavor. In the end, the police was really nice and let us go without any warning, thinking we were just two sculpture climbing tourists in Paris.

"Feminist Shere Hite by and with Iris Brosch"
©Iris Brosch

The Hite Report: A Nationwide Study on Female Sexuality marked the beginning. Her book dubbed the Hate Report by Playboy magazine was first published in the mid-70s and has sold almost 50 million copies worldwide. At the end of the day: Shere Hite’s accomplishments?
Shere Hite started a culture revolution. She holds the key for creating a happy and healthy society. Shere Hite knew that “SEXUALITY IS THE CENTRAL KEY TO WOMEN’S FREEDOM. AND MALE OWNERSHIP OF WOMEN’S SEXUALITY IS WHAT MAKES PATRIARCHY POSSIBLE”. The new feminist movements are all
based on her pioneering work! However, most of the younger people don’t know the origins anymore. There is information censorship between women’s generations and their knowledge, too. And knowledge is control! Therefore, most of the feminist movements are hijacked by political forces, which don’t understand women and are just using them all over again! Any kind of vulgarization of sex won’t do any good to us and will only continue to serve the fantasies of men.

"Feminist Shere Hite by Iris Brosch"
©Iris Brosch

Have you ever filled out Shere Hite’s “infamous” questionnaire?
No.

If Sheer Hite were in her teen years today would she have started „Fridays for Sex Reports“?
If Sheer Hite would still be alive she would probably refer to her work of the 70s and 80s. She knew that a new sexuality is needed to create a healthy planetary system, world peace included.

Shere Hite’s legacy?
Giving women the right to pleasure!

Is a penis important or not?
Yes, it is important, just like the vulva is an important part of our human bodies. We should not be ashamed of our sexuality and our genitals; they are a gift to us. We should learn everything about them and use them to express our feelings and deepest desires for each other. But for this, we need a new definition of sex. Love is not about penetration.

_Uwe Buschmann

"Frankfurter Allgemeine Feminist Shere Hite by Iris Brosch"
©Iris Brosch
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